![]() Collegium Cincinnati presents SummerSing 2018 Passion. Heat. Music. Voices come alive during the most exciting music-making week of the summer! Collegium Cincinnati invites singers of all ages and abilities to join in putting together masterworks of choral repertoire. What: A one-week choral festival for young and old. Who: The musicians of Collegium Cincinnati, a surprise cast of guest soloists, and YOU! When: July 19-28, 2018 Where: Christ Church Cathedral | 318 East Fourth Street Cincinnati, OH 45202 How: www.CollegiumCincinnati.org/summersing2018 2018 Repertoire: Gabriel Fauré – REQUIEM Morten Lauridsen – LUX AETERNA Chamber Choir repertoire to be announced. Collegium Cincinnati is pleased to invite you to join us for SummerSing – Cincinnati’s hottest participatory choral festival. Cincinnati has a long and rich history of choral singing; at SummerSing, singers from all over the country unite for a week of rehearsals and social fun that culminates in electric performances of great choral repertoire. In addition to making great music together, we make new friends! Food and drink after rehearsals and concerts are as important … well almost … as the singing. Singers have the opportunity to perform with the instrumentalists of Collegium Cincinnati and will be offered the opportunity to take private voice lessons, improve their singer’s diction, and, most importantly, have fun! THE MASTERWORKS CHOIR Under the direction of the Collegium’s artistic director Christopher Eanes, the MasterWorks Choir will tackle the unmatched REQUIEM by Gabriel Fauré and the new classic LUX AETERNA by Morten Lauridsen. This program of light and transcendence is every choral singer’s dream! Dates: July 22-28 THE CHAMBER CHOIR (Inaugural Season) This year, for the first time, we will also be offering a Chamber Choir experience. Under the direction of guest conductor Christopher Shepard, this auditioned experience will offer 16-24 advanced singers the opportunity to prepare a program of finely crafted a cappella and accompanied works in an intimate setting. Christopher Shepard is the conductor of CONCORA: Connecticut’s professional chorus, the Worcester Chorus, and the Masterwork Chorus of New Jersey. Most recently, he conducted a sold-out performance of Handel’s MESSIAH at Carnegie Hall. Chris is an engaging conductor with a distinguished career director both professional and avocational ensembles. Dates: July 19-22
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Fourteen of Cincinnati's finest singers will take the stage on Sunday for Collegium Cincinnati's performance of Handel's MESSIAH. Get to know these wonderful voices before the concert! ![]() Lovers of Baroque music often fall into the “Bach camp” or the “Handel camp”, though it is certainly possible to love both equally—something not quite so easy with other more oppositional composers like Wagner and Brahms. After all, Bach and Handel did share the instantly recognizable musical language of the high Baroque. In fact, part of what is so attractive about the music of both Handel and Bach is that they both effortlessly blended the sunny Italian sense of melody and harmonic clarity with the more sober counterpoint of the German school, seasoned with a soupçon of French rococo ornamentation. Although their music is generally very similar, I like to think that what differentiates them is related to the ways in which their lives diverged from one another. In a consequence of almost mythical significance, these two giants of western music were born within one month of one another in 1685—Handel on February 23rd and Bach on March 21st, in towns about 80 miles apart. They both served as church musicians and worked in royal courts; but whereas Handel travelled extensively, coming of “musical age” in Italy in his early 20’s, Bach remained in his native central-eastern region of Germany his entire life. He was by no means cut off from musical life, however: many musicians made the pilgrimage to Leipzig to meet Bach, and he was deeply influenced by Italian composers, most notably Vivaldi. Both Handel and Bach were friends with Georg Philipp Telemann, who is less well-known today, but was one of the most prolific composers of the Baroque. (In fact, Telemann had been the first choice for the job eventually awarded to Bach in Leipzig.) One of the quickest ways to differentiate Bach and Handel is to describe Bach as church composer and Handel as an opera composer. On the face of it, this tidy construction is largely correct: Bach spent the last 27 years of his life as Music Director of Leipzig’s churches, and Handel was for many years a successful operatic composer and producer, and he only turned to oratorio to recover his massive financial losses from producing operas. But the full story is more complex. In addition to his famous English-language oratorios dealing with biblical texts, Handel wrote a great deal of church music. There are the many works written in English during his service to the English crown, such as the Coronotaion Anthems, as well as the Chandos Anthems, written for the Duke of Chandos. But he also wrote a number of German cantatas (the genre with which Bach’s name would be forever linked), as well as Latin settings from his years in Rome, most notably the extraordinary, Italianate Dixit Dominus. Bach and Handel are musically linked by a German passion libretto by Barthold Brockes. Handel used the libretto for his Brockes-Passion; Bach would draw from the same text for his own St John Passion. It is certainly true that Bach did not write any operas, a point about which many musicologists have speculated over the years. The reason for this is probably due to the circumstances in which Bach found himself—none of the courts in which he worked produced operas, and by the time he arrived in Leipzig, the local opera company had folded. Nearby Dresden had an important opera company, and it is reasonable to think that Bach might have written for them had he so intended. He did write some quasi-operatic dramatic secular cantatas, but this is the closest he came to explicit operas. In an odd twist, however, Bach was criticized by church authorities in Leipzig for bringing opera-like characteristics to his cantatas, with their high sense of emotion and drama. Certainly, lovers of Bach’s choral music believe that his two Passion settings give us a glimpse into the kind of genius that he would have brought to opera composition. The oddest coincidence linking Bach and Handel, who never met (despite two attempts by Bach to meet Handel) is also the most tragic. Both composers developed cataracts in late middle age, leading them both to turn to the English eye surgeon, John Taylor. A shameless self-promoter and almost certainly a charlatan, Taylor was the eye surgeon to King George II, and he also travelled through Europe performing surgery. On a tour through Leipzig in 1749, he operated on Bach, without success. Many people believe that the strenuous operation, which weakened the composer, led to his death in 1750. Handel also submitted to Taylor’s knife, to no avail: after his 1751, he spent the final years of his life in near-complete blindness. Chris Shepard © 2011 We're pleased to announce the following twelve outstanding vocalists that will be performing as a part of this weekend's Leipzig's Got Talent concert; click on each of their pictures to read more, and don't forget to get your tickets now! ![]() Find Mystery & Mayhem in Collegium’s Fourth CINCINNATI BACH FESTIVAL What: Collegium Cincinnati presents the Fourth Cincinnati Bach Festival, creating incredible musical performances in intimate and fun settings. Who: Collegium Cincinnati, with special guests from the Young Professionals Choral Collective and more. Collegium Cincinnati is a project-based ensemble specializing in choral-orchestra music of the baroque, led by Christopher Eanes. When: Events throughout October Where: The Härth Room, Christ Church Cathedral, More How: www.CollegiumCincinnati.org Collegium Cincinnati’s Fourth Cincinnati Bach Festival is one of electric mystery, madmen, and a little bit of mayhem! From Biber’s Mystery Sonatas to the mayhem surrounding Bach’s job audition at Leipzig, we’re going to dazzle you with music that will keep you guessing and light up the concert hall. The musicians of Collegium Cincinnati cordially invite you to join us for a magical season! ![]() Mozart's Requiem is perhaps one of the most iconic pieces of choral-orchestral music, especially since it was featured as a plot point in the 1984 movie Amadeus. Mozart died before he could finish the work, leaving his student - and many others since - to complete the masterpiece. The program will open with two short concert arias sung by our stellar soloists for the evening, Andrew Jones & Alexandra Schoeny! The Requiem will be sung by the SummerSing 2016 Chorus. Program: Misero! O sogno, o son desto? K. 431 Andrew Jones, Tenor Vorrei spiegarvi, oh Dio K. 418 Alexandra Schoeny, Soprano Requiem in d minor K. 626 Alexandra Schoeny, Soprano Melisa Bonetti, Mezzo-Soprano Andrew Jones, Tenor Tyler Alessi, Baritone SummerSing 2016 Chorus Christopher Eanes, Conductor Saturday, July 30 | 7:00 pm Christ Church Cathedral 318 East Fourth Street | Cincinnati, OH 45202 Tickets: $20 Adult General Admission, $17 for Students/Seniors April 5, 2016
For Immediate Release SUMMERSING 2016 INVITES ALL SINGERS TO PERFORM MOZART’S REQUIEM What: A one-week choral festival, in which participants from around the city are invited to sing in a performance of Mozart’s Requiem. Who: The musicians of Collegium Cincinnati, a surprise cast of guests soloists, and YOU! When: July 24-30, 2016 Where: Christ Church Cathedral | 318 East Fourth Street Cincinnati, OH 45202 How: www.CollegiumCincinnati.org/summersing ---------- Collegium Cincinnati is excited to announce the establishment of an annual summer choral festival where the star is YOU! Cincinnati has a long and rich history of choral singing; at SummerSing, singers from all over the region are invited to join together for a week of rehearsals and social activities that will culminate in a performance of Mozart’s iconic Requiem. Singers will have the opportunity to perform the work with the musicians of Collegium Cincinnati, under the direction of Artistic Director Christopher Eanes. The mission of the SummerSing is to bring together choristers of all backgrounds to build connections with each other through great musical performances. SummerSing is a celebration of all the many singers that participate in other choirs during the year, or who are looking for a one-time event to round out the summer season. SummerSing 2016 will be hosted at Christ Church Cathedral, where Collegium Cincinnati serves as Ensemble-In-Residence. Interested singers should visit the Collegium Cincinnati website for more information. The Requiem was commissioned anonymously and Mozart died before he finished it. His student Franz Süssmayr finished the work, and it has remained a staple in the choral-orchestral repertoire for its fire, its depth, and its beauty. The work was an integral part of the plot of the 1984 film Amadeus, though the story was largely fabricated. Collegium Cincinnati, founded in 2011, is committed to world-class performances of choral-orchestral masterpieces that engage people to listen, learn, and love. In addition to hosting the Cincinnati Bach Festival every October, the Collegium also presents a full season of exciting musical events. More information can be found at: www.collegiumcincinnati.org. For More Information & Press Inquiries: Christopher Eanes, Artistic Director (513) 428-BACH (2224) Christopher@CollegiumCincinnati.org www.CollegiumCincinnati.org # # # ![]() Here are some tips and tricks for preparing for Sunday's performance of the Saint John Passion With just nine outstanding singers and an world-class orchestra, you’ll hear Bach’s first passion the way he intended it. The story of the trial and crucifixion of Jesus is told through the incredibly powerful music of the world’s greatest composer – J.S. Bach. Bach’s St. John Passion is exciting, frightening, and heart-wrenching. Here are some ways you can get ready: Download a copy of the full orchestra score. (We don't mind if you want to follow it on your iPad during the performance, by the way.) Download Part I Download Part II Listen to a full version of the performance now! This link will take you to the late Nikolaus Harnoncourt's seminal recording of the Saint John Passion. Maestro Harnoncourt was a pioneer in the early-music movement and passed away this month. Will you be singing the chorales during the performance? Here are some things to consider. You are invited to sing along on the chorales (printed below), as many believe the congregation would have in Bach’s time. The tunes would have been familiar to his eighteenth-century audience, as many of them will be to you today. We kindly ask the following:
Finally, don't forget to come at 12:30 for the organ prelude! Bach: St. John Passion Sunday, March 20, 2016 1:00 pm (organ prelude begins at 12:30 pm) Christ Church Cathedral 318 East Fourth Street Cincinnati, OH 45202 On Singing the Chorales ![]() Collegium Cincinnati, a rising star in Cincinnati’s music scene, will present Johann Sebastian Bach’s St. John Passion on Sunday, March 20th, nearly three hundred years after it was originally composed for Bach’s church in Leipzig. However, this performance will differ quite a bit from what modern performances of the work usually look like. First, there’s the choir - or lack thereof. Artistic Director Christopher Eanes: “Bach wouldn’t have thought of a choir in quite the same that we do now. For him, the choir was a collection of fine singers, who shared solo arias, and all came together for the choral movements. When you hear it this way, you’ll get to hear the incredible intricacy and beauty of Bach’s counterpoint brought to the forefront, and truly connect with the meaning of the music that he wrote. Furthermore, many people believe that the congregation joined in singing the more well-know chorales (hymns), so that’s the way we’re going to do it.” Just nine singers will perform for Collegium Cincinnati’s performance; each will sing one or more of the arias, and all will sing the choruses and chorales. But the differences don’t end there: Collegium Cincinnati is inviting the audience to join in singing the choral tunes, just like they would have in Bach’s church. Lest patrons be scared off by the original German text, the chorales will be sung in English, with a short rehearsal provided the day of the concert. Also a traditional element of the Passion performances, a thirty-minute organ recital will precede the performance. Stephan Casurella, Director of Music at Christ Church Cathedral, will be playing music of Bach and others. Concert Information: Bach: St. John Passion Sunday, March 20, 2016 12:30 pm: Organ Prelude 1:00 pm: St John Passion Tickets: $20 adults/$17 students/seniors Christ Church Cathedral 318 East Fourth Street Cincinnati, OH 45202 Tickets available at: www.collegiumcincinnati.org/tickets For information by phone: (513) 428-2224 Collegium Cincinnati Christopher Eanes, Conductor (Artistic Director) Manami White, Concertmaster (Associate Conductor) Michael Unger, Organ Brian Thorsett, Tenor (Evangelist) Danielle Adams, Soprano Tyler Alessi, Baritone Anthony Beck, Tenor Allan Chan, Tenor Jonathan Cooper, Baritone Ellen Graham, Mezzo-Soprano Melissa Harvey, Soprano Lauren McAllister, Mezzo-Soprano ABOUT COLLEGIUM CINCINNATI Collegium Cincinnati is one of the most vibrant up-and-coming musical organizations serving the Greater Cincinnati Area. The Collegium, as it’s known, is dedicated to blowing the dust off the great repertoire, creating performances that are inspirational and exciting. One week might find the group performing Bach’s Brandenburg Concertos in a cozy bourbon bar, the next week presenting Telemann’s enigmatic Brockes Passion in one of the beautiful religious spaces in Cincinnati. Nine sublime voices, One incredible story.
Bach’s 1724 masterpiece heard the way he intended. With just nine outstanding singers and an world-class orchestra, you’ll hear Bach’s first passion the way he intended it. Read about your St John Passion cast members below, and don't forget to reserve your tickets today! Ticket are available at: www.collegiumcincinnati.org/tickets |